SING SING SING Essay -- Essays Papers

SING SING SINGI used to always go over to my grandparents house and watch my grandfather go round the bend over this Jazz music. He explained to me that it wasnt Jazz unless it swung like the greats. I listened to a song Sing Sing Sing the other solar day from one of my Jazz collections that my grandpa gave to me and realized that their was so much skill and pizzazz in this music. He explained to me that it was all put together by a guy named benne, and I understood why. Benny Goodman, born gum benjamin David in 1909, one of twelve children, grew up in a simoleons ghetto with his family, who fled Russian anti-Semitism. Encouraged by his father, an immigrant tailor, to learn a musical instrument, Goodman took up the clarinet at a young age. From the start, he displayed an exceptional talent. Before he was in his teens, he had begun performing in public. He received his firstborn true clarinet and musical training from a local synagogue, then continue practice through H ull House, a social-service agency for the under privilege children of the lucre. The most important of his teachers, at the school, was Franz Schoeppe, a classical instructor from the Chicago Musical College who ignored jazz and stressed in his students the discipline and jimmy for classical music. subsequently his father died, fourteen-year-old Benny helped support his family by playacting at a Chicago neighborhood dance hall and works locally for two years. In 1925, Gil Rodin, who was then with the bind led by Ben Pollack, heard him. Goodman was hired by Pollack, then working in California, and the interest year made a triumphal return to Chicago as featured soloist with the draw. Goodman remained with Pollack until 1929, when he became a much in-demand session actor in New York. When the band was between jobs, Goodman jammed with members of the Austin in high spirits Gang who introduced him to the New Orleans Rhythm Kings and the Dixieland clarinet style of Le on Rappolo. After his 17th birthday Benny made his first recording with Pollacks band with the tune, Hes the Last Word. Benny also played in the bands of leaders such as Red Nichols (from 1929 to 1931), Isham Jones, and Ted Lewis. During the early 30s Goodman played in bands led by Red Nichols, Ted Lewis, Sam Lanin and others. In 1934, Goodman led a dance band that performed regularly on the national radio show Let... ...ible, but include among others, Lionel Hampton, Harry James, Georgie Auld, Ziggy Ellman, Charlie Christian, Red Norvo, Fletcher Henderson, Gene Krupa, Teddy Wilson, George Wettling, Pee Wee Irwin, miff Mole, Roy Eldridge, Stan Getz, and Cootie Williams. The Benny Goodman Story, a film made in 1955, interpret Benny Goodmans life, and Benny recorded the sound track for it. In the fifties to the 1970s he made several overseas trips and played at selected engagements with a small band. One such trip was to Russia in 1962. In January 1978 he returned to Carnegie Hall to do a Concert. The tickets all sold start the first day. His last studio recordings were made in January 1986.ReferencesCollier, J. Benny Goodman and the throw off Era. New York West Publishing Company, 1989Connor, R. and Hicks, W. B. G. on the Record A Bio-Discography of Benny Goodman. Englewood Cliffs, NJ Prentice Hall. 1969Dance, S. The World of Swing. New York Oxford University Press, 1979.Klauber, B. The World of Gene Krupa. Belmont, CA Wadsworth, 1991.Schuller, G. The Swing Era. New York McGraw Hill, 1989.Stewart, R. Jazz Masters of the 30s. New York W.W. Norton, 1972.